The History of
The Livery Hall is the heart of Drapers’ Hall. It is here, over several centuries, that we have entertained our members, affiliates and friends
It stands on the eastern side of the Courtyard and was built after the fire of 1772 that damaged a significant portion of Drapers’ Hall. It was enlarged to its present magnificent proportions in the 1860s. The extravagant Victorian decoration and mighty ceiling were modified 30 years later by Sir Thomas G Jackson and in 1903 Herbert James Draper was commissioned to produce the oil on canvas paintings that still dominate the ceiling today. The ceiling suffered extensive damage during World War II in October 1940 since when the room has been redecorated, most recently in 2021. This recent major re-presentation project saw the room and its works of art conserved, and a beautiful new decorative scheme was introduced inspired by the earlier Victorian and Edwardian schemes.
Though out of fashion for much of the 20th century, Draper (whose name is pure coincidence) was one of the most popular and successful painters of mythology and elegant portraits in the later Victorian and Edward period. The Drapers’ Hall ceiling is regarded as one of his greatest achievements with its theme of day moving from dawn to eventide told through scenes from Shakespeare’s The Tempest (in the central oval) and A Midsummer Night’s Dream (in the rectangles at either end). Their colour, beauty and drama retain their brilliancy – just as Draper intended.
On the walls of this large room, set within an imposing range of marble columns, is a collection of royal portraits starting with the great baroque artist Sir Godfrey Kneller’s William III and running in sequence through to Harold Speed’s portrait of Edward VII.
A small part of the Company’s silver collection is on show here including mid-Victorian display pieces by Smith & Nicholson, and 17th century cups. To either side are two marble statues: Venus by John Gibson and Hypatia one of the three most important works by the colourful and controversial sculptor Richard Belt, the other two being Lord Byron, at Hyde Park Corner, and Queen Anne, in front of St Paul’s Cathedral.